Alicia Eggert's sign work uses sculpture to bring time to the foreground, embodying its passage through carefully chosen quotes. These words, rendered in neon and steel, cycle rhythmically through subtle text changes designed to encourage a heightened awareness of time and place in the viewer. In the sculpture “This Present Moment,” she uses an epigram of Stewart Brand’s from his book The Clock of The Long Now, which she first encountered while doing research in 02008.

For more in-depth reading, see Long Now Managing Editor Ahmed Kabil's 02021 interview with Alicia Eggert and Long Now Fellow Jonathon Keats' article on Eggert's work in Forbes.

Alicia Eggert's work gives material form to language and time, powerful but invisible forces that shape our perception of reality. Her creative practice is motivated by an existential pursuit to understand the linear and finite nature of human life within a seemingly infinite universe. Her inspiration is drawn from physics and philosophy, and her sculptures often co-opt the styles and structures of commercial signage to communicate messages that inspire reflection and wonder.

Eggert's artworks have been installed on building rooftops in Russia, on bridges in Amsterdam, and on uninhabited islands in Maine, beckoning us to ponder our place in the world and the role we play in it. Eggert is an Associate Professor of Studio Art and the Sculpture Program Coordinator at the University of North Texas; her work has been exhibited internationally, and is in the collection of the Renwick Gallery of the Smithsonian American Art Museum.