Stone ink gallery
Photographer Edward Burtynsky made a formal proposal for a permanent art gallery in the chamber that encloses the 10,000-year Clock in its Nevada mountain. The gallery would consist of art in materials as durable as the alloy steel and jade of the Clock itself, and it would be curated slowly over the centuries to reflect changing interests in the rolling present and the accumulating past. Photographs in particular should be in the 10,000-year Gallery, Burtynsky said, “because they tell us more than any previous medium. When we think of our own past, we tend to think in terms of family photos.”
But photographic prints, especially color prints, degrade badly over time. Burtynsky went on a quest for a technical solution…
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